Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
May 28, 2008 | Christie's | New York | Latin American Sale | 4 | $****** - ****** | The Sleeping Bishop (The Dozing Archbishop) |
paintings
25.4 x 90.2 cm (10 x 35.51 in)
oil on canvas
signed 'Botero' (lower left)
Gres Gallery, Washington D.C. Miguel Aranguren collection, Boston.
Washington, D.C., Pan American Union (OAS Headquarters), Fernando Botero, 1957. Washington, D.C., Gres Gallery, Fernando Botero, 1957. Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Fernando Botero, December 1979 - March 1980. This exhibition later traveled to Corpus Christi, Art Museum of South Texas, March - May 1980. Washington, D.C., Museum of Modern Art of Latin America, Five Colombian Masters, March- May 1985. New York, The Bronx Museum of the Arts, The Latin American Spirit: Art and Artists in the United States, 1920-1970, September 1988- January 1989, no. 146. This exhibition later traveled to El Paso, El Paso Museum of Art, February- April 1989; San Diego, San Diego Museum of Art, May- July 1989; San Juan, Instituto de Cultura Puertorriqueña, August- October 1989; and Vero Beach, Center for the Arts, January- March 1990. Roslyn Harbor, New York, Nassau County Museum of Art, Latin Viewpoints: Into the Mainstream of Art, August- November 1996.
Exhibition catalogue, Fernando Botero, Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1979, p. 42-43, no. 1 (illustrated). Exhibition catalogue, The Latin American Spirit: Art and Artists in the United States, 1920-1970, New York, The Bronx Museum of Arts, 1988, p. 210-211, no. 146 (illustrated in color). Exhibition catalogue, Latin Viewpoints: Into the Mainstream, Roslyn Harbor, New York, Nassau County Museum of Art, 1996, p. 86 (illustrated).
